Spoilers abound for all of the season, so reader beware.
Season 11 was a bit of a mixed bag for me. The episodes I like, I really intensely love but there are a few episodes that simply left me bored or meh. That said, this season has two episodes that are easily within my top 10 favorite episodes, if not the top 5. One of these episodes is called “Baby” and the entire thing is just pitch perfect.
Baby is Dean’s name for the Impala, who is the third character in the show who rarely gets an episode from her point of view. While Sam’s tenacity saved the world and caged the devil, it was memories of the Impala that helped him do it – the Impala is as iconic to this show and the Mystery Machine is to Scooby Doo, so hell yeah, bring on an episode from her point of view.
This episode has a lot of mundane things I just love. First of all, this episode shows the brothers bonding, laughing, and interacting in a way we don’t normally see. If you think about the sheer number of places they drive, they spend a huge amount of time in the Impala and because driving cross country is mostly boring, we rarely see this aspect of their lives for long. This episode gave us a little glimpse of that togetherness and the fun they have together. It was a joy and relief to see an episode where the brothers get along well, laugh together, and even sing along to the radio.
I could honestly go scene by scene with the episode to tell you why it’s brilliant, but I’ll hit the highlights for me, personally. Sam having a one-night stand in the Impala and Dean’s pride – and musical humor – is just delightfully funny. Sam tells Dean he tried to give the woman his number.
Sam: I tried to give her my number. You know what she said?
Dean: ‘We got tonight; who needs tomorrow?’
Sam: Is everything a Bob Seger song to you?
This is exchange followed by the conversation the brothers have in the car really make this episode shine. For an action horror series like Supernatural, there aren’t a lot of slow moments of conversation, so when they happen, I really enjoy them. Not finding a hotel (maybe not having money?) the brothers are sleeping in their car with Sam in the backseat and Dean in the front seat. Sam wakes up, talks about his dream of their father, and the ensuing scene is just wonderful. It’s just them, sitting in Baby, having a heart to heart and I can’t say enough good things about it.
This episode also has one of the funnier sequences of the series when Dean has to deal with killing “Deputy Dumbass” the were-pyre they are hunting. Dean is having a phone conversation with Castiel, trying to determine what type of monster they are hunting, when the Deputy attacks Dean. The fight scene is filmed from the inside of the car – Baby’s perspective – which allows for hilarity. Castiel’s voice misheard through Dean’s phone as Dean shoots, beheads, and otherwise damages the were-pyre – Dean finds out beheading doesn’t work when the severed head on the windshield continues to growl at him. This whole sequence is incredibly funny and wonderful.
This episode also sees all three of our main characters – Baby, Dean, and Sam – return home injured and limping, as even Baby got involved in the were-pyre fight. I honestly think this might be my all time favorite episode of Supernatural, but then “Fan Fiction” and “Don’t Call Me Shurley” are also contenders for that title.
One of the best aspects of this season is that the brothers are on the same side, and Castiel is around during the beginning of the season and on the same side as the brothers. I love it when our heroes are actually working together. Their ability to work together so smoothly was what drew me into the show in the first place, so it’s nice to see a return to them functioning as a unit. I didn’t mind season 10 having Sam working to cure Dean behind his back, because that was still working on the same side, even if Dean didn’t know about it. Seasons 6-8 where it was brother fighting brother and angsty-drama all the time was wearying, to say the least.
To hit one of the down notes of the season, ugh, Lucifer. Fucking again. They killed off Raphael and Gabriel, both archangels, can’t we manage to stab this fucker with an angel blade already? But no, instead Castiel says “yes” like a total moron and we’re stuck with Lucifer as Castiel, which is a bit more entertaining simply because Misha Collins makes such a more interesting Lucifer, but can we be real? Lucifer is written as a sociopathic 5 year old complete with tantrums. LUCIFER IS BORING. I don’t care that Daddy hurt his feelings, after millennia, get the fuck over it and stop whining and exploding people. Dick.
While Misha does an excellent job with Lucifer, I still hate the storylines with Lucifer for the most part, although because they are working towards the same purpose, Lucifer is a bit more fun this season, but barely. Also, making Crowley Lucifer’s “dog” is just gross. I know he’s the devil and all, but come one, really? Why on earth do demons have this devotion to Lucifer? He’s shown no leadership, absolutely detests demons, and generally is a sociopathic 5 year having a permanent temper tantrum, so what gives demonkind? Just that stupid? If he’s this charismatic leader that people fall in love with, I’d really like that aspect of him shown, because otherwise, he’s just BORING. A walking bag of hate isn’t really that interesting to me and Lucifer’s daddy-issues have long stopped being interesting.
It helps that Misha Collins is clearly having fun as Lucifer, so that does get me to enjoy him a bit more as a character, but still, let’s kill Lucifer and never speak of him again, ok, Supernatural writers?
One of the episodes where Misha Collins is playing Lucifer who is pretending to be Castiel is called “The Vessel” and it is another really great episode. Dean is sent back in time to retrieve a Hand of God, which they hope can defeat Amarra/The Darkness. He’s sent back in time to the Bluefin, a submarine in World War II. Lucifer, being an archangel, has the power to send Dean back in time, but due to the warding on the ship he can’t actually get on the ship himself.
This is one of the few episodes I really enjoyed Lucifer, because he’s pretty funny. Lucifer walking down the steps of the bunker soaking wet always makes me laugh, in part because Lucifer looks so annoyed and pissed off about it. Lucifer is interesting in the episode because he’s acting like a warrior of god and like an ally to the Winchesters, instead of being his usual petulant, whiny-baby self. It’s a refreshing change for a boring and tired character.
This episode isn’t really about Lucifer, though.
Dean: Captain James Dearborn, my name is Dean Winchester and I am on a mission from the future, the details of which I am not a liberty to discuss. But know this: within the hour, a German destroyer will find and attack this submarine and you will go down. [This line doesn’t seem like much, but in the context of episode itself, it’s powerful as a punch to the gut.]
It’s barely about the Winchesters and is instead about Delphine, the Woman of Letters who is transporting the Hand of God via submarine after stealing it from the Thule, the evil Nazi Necromancers.
Delphine: You save this ship, get us to the surface, and then what? The power of God will consume you, and you’ll have merely brought the weapon closer to the Nazis’ grasp. We are supposed to die, let us do it with a purpose.
Delphine warns Dean of the dangers and then takes the task on herself, sacrificing herself and the submarine to take out the Nazi Thule ship. How badass is Delphine?
At the end of this episode – which never fails to bring a tear to my eye, because of the bravery and commitment of the soldiers and Delphine in the past – Dean tells Sam that he wasn’t really a part of things, he was just a witness.
This is the type of episode that I really love, simply because even the throwaway characters aren’t two-dimensional. I’d watch a show just about Delphine, or many of the characters on the submarine. This was just such a great and well written episode all around and it’s one that I love to watch, even though it seems to be more about the WWII action than the Winchesters, which is just fine by me, considering how well it was done. This episode and “Baby” are excellent examples of why so many people are devoted to this show – they are just brilliantly written and unbelievably entertaining.
“Don’t Call Me Shurley” sees the return of Chuck/God as well as Metatron. First of all, Rob Benedict who portrays Chuck/God, I could watch just type. He’s magic on screen and this episode was a revelation of Rob Benedict’s true talent. HOW IS HE NOT IN EVERYTHING ALL OF THE TIME? He seamlessly moves from Chuck to God and back again, and then he tops it all off by singing a song that blows all the doors off the episode. I know writing God must be a difficult task, but more Rob Benedict, please. Dude is ridiculously talented, so if you don’t want to write an all powerful being, simply have him hanging out and playing guitar, because holy fucking cow is he wonderful at it.
Metatron is portrayed by Curtis Armstrong, an actor who has been in practically everything, but is best known as Booger front he “Revenge of the Nerds” although I always think of him as his “Moonlighting” character Herbert Viola. As a bad guy, Metatron was obnoxious and devious and killed Dean once, so you know, hated Metatron. However in this episode, Curtis Armstrong shows what a brilliant fucking actor he is by making us feel sympathy and even a little love for Metatron. Armstrong and Benedict are what make this episode probably my all-time favorite episode.
First of all, this episode confirmed what most of us thought after the season 5 finale – Chuck is actually God. This episode reveals Chuck being God, but it’s the interplay and history between God and Metatron that really infused this episode with such life and character. I could watch God and Metatron sit in this bar and talk writing all day.
Metatron: You know, I was a crappy, terrible god. My work was pretty much a lame, half-assed rewrite of your greatest hits. But at least I was never a coward. [God throws him through the front doors of the bar with a flick of his finger. Metatron walks back in, smiling.] There he is. That’s the guy I know, the guy I love. I remember the first time I saw you. All the angels were terrified, but I wasn’t. The feeling of your light was… was just beyond measure. And then the unthinkable. You picked me to help you with your tablets.
Chuck: You were just the closest angel to the door when I walked into the room. There’s nothing special about you, Metatron. Not then… not now. Now… I’ve been called many things — absentee father, wrathful monster. But, coward… I am not hiding. I am just done watching my experiments’ failures.
Metatron: You mean your failures, Chuck.
The way he spits out the name “Chuck” like an epithet is wonderful. Chuck’s words deeply wound Metatron. Armstrong plays the craziness and cunning of Metatron expertly, and he even shows the broken heartedness all of the angels felt when god left. Armstrong does restrained tears so very well in this episode that it breaks your heart. Later on in the episode, when Metatron says that he doesn’t care if he was “the angel closest to the door” he can barely say the words without crying – Metatron the clever and awful enemy who killed Dean once, has me broken-hearted and in tears this episode.
Metatron even tells god that all of his previous bad behavior was a sad attempt to get attention from Chuck.
This episode is just brilliant.
Metatron: No, look. I know I’m a disappointment, but you’re wrong about humanity. They are your greatest creation because they’re better than you are. Yeah, sure, they’re weak and they cheat and steal and… destroy and disappoint. But they also give and create and they sing and dance and love. And above all, they never give up. But you do.
At the end of the episode, Chuck sings “Dink’s Song” aka “Fare Thee Well” and the first several times I watched this episode, I just sobbed through the whole song.
One o’ dese days, an’ it won’t be long,
Call my name an’ I’ll be gone.
Fare thee well, O Honey, fare thee well.
I’m not a Christian, but the idea of the Christian God of Supernatural being gone is a terrifying prospect just the same.
From this episode on, everyone seems to be on the same side – Lucifer and God hash out some things, although Lucy’s still a dick; Rowena and Crowley join the fight; even Billie helps out. However, what defeats the Darkness/Amarra in the end isn’t a weapon, but rather it’s love, forgiveness, and family.
I’ve spent a lot of time gushing about the great episodes this season, but I haven’t even gotten to how awesome Jody Mills is this season. You know I can’t write a review without a huge heaping spoonful of love for Kim Rhodes and her expert portrayal of Jody Mills. We pop back into her life and see how things are going with her, Claire, and Alex in an episode that I really enjoyed, although for the love of God Claire is such a bitch it’s painful to watch her sometimes. Can we please either write her as less of a dumbass OR less of bitch? The combo of bitchy dumbass is really grating, although her cuddling the Grumpy Cat stuffed cat the Castiel bought for her at “The Hot Topical” is a cute moment.
Anyway, Jody is amazing as always and watching her care for her two wards is really awesome, including a discussion of STD’s at dinner, which was funny. Jody is a great mom, but that isn’t what defines her as a person.
Jody: ‘Kay, well, um. I may have definitely seen birth control pills in your backpack.
Sam: Oh, we’re going there.
Alex: Oh my god.
Jody: Hey, if we can’t talk about it, we shouldn’t be doing it, right? Right? [Right on, sister!!! I absolutely agree!]
The bonding between the women is awesome and in the end Alex offering to sacrifice herself for Claire (prompting Claire to tell the vamps that their intel is wrong, Alex hates her) and Jody is just wonderful. Katherine Ramdeen as Alex is a great character full of complexities, but really she just wants to live her life without monsters. Good luck with that, Alex.
“Just My Imagination” is another fun episode that has me laughing hysterically, especially in the beginning of the episode. Sam’s imaginary friend from childhood shows up and needs help. The whole opening sequence with Sam waking up and finding an offering of all of his favorite foods from childhood (marshmallow nachos, for one) and then discovering his long ago friend is priceless. Adding Dean to the mix, “Are you having a stroke? Do you smell toast?” adds to the overall hilarity.
Season 11 clearly has a lot of really good episodes and excellent writing. That said, lots of boring Lucifer crap happens throughout the season, but that is why we have fast forward.
Overall I give the season a B – lots of Lucifer boringness brings the season down, and while this season has several just completely wonderful episodes, it also has a couple of meh ones, too.
This season is one where my respect for Sam grows by leaps and bounds. He addresses the craziness of them rescuing each other at the expense of the world. He tries really hard all of the time to do the right thing, but the road to perdition is paved with good intentions. Sam and Dean working well together makes this season a good one, but Sam does a lot of impressive things on his own this season and it’s fun to watch him grow and change over the course of the show.
The superstars of this season are Rob Benedict and Curtis Armstrong, though. They give the mythology a weight, history, and emotional resonance that really makes the larger conflict more believable. I know Curtis Armstrong has no problem being called “Booger” by most people, but he is so amazingly talented as Metatron that I simply can’t write him off as just “Booger” or just a character actor. He’s a fucking powerhouse of awesome.
I’ve complaints about the God/Amarra storyline, but it didn’t bother and I didn’t feel like it went “too big” or jumped the shark. Amarra was an interesting bad guy, in part because while she was pissed and powerful, she also was innocent and naive in many ways, too. I enjoyed her storyline and the overall arc of the season. I’m also glad that – unlike the Lucifer storylines – this one was finished up in the season.